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Paul Levitz

IN A MUSEUM?

IN A MUSEUM? 150 150 Paul Levitz

Smiling at the sight of a couple of issues of ETCETERA & THE COMIC READER hanging on the wall of the NEW YORK HISTORICAL SOCIETY. They’ve mounted an exhibit entitled “Superheroes In Gotham” which I strongly suggest you check out. The history detailed is pretty straight-forward, but the artifacts presented are worth the trip (and I’m not talking about my ‘zines…yet).

Jerry Siegel’s old manual typewriter opens the exhibit, and sent me back into recalling his meticulously detailed lists of the Legion stories he wrote so I could get the credits right when I was doing the reprints. Then there’s a real treasure, two of Steve Ditko’s pages from AMAZING FANTASY #15. The originals are gorgeous, with detail in the line that was long lost in the miserable reproduction methods of the period. Steve’s sharply penned faces are worth the trip in themselves.

Spin around, and there’s one of H.G. Peter’s early color designs for Wonder Woman in a costume that certainly wouldn’t have become iconic, as well as one of his later covers. There’s also a SENSATION cover by Irwin Hasen from the period when it was morphing into a romance comic. Irwin lived near the Historical Society, and would have been smiling at the sight. Probably flirting with any tall pretty woman who came near it, too.

Other goodies include an original George Reeves Superman costume, a Julie Newmar Catwoman outfit, a program from the very first comic con in 1964, and more packed into a few small rooms. And the Batmobile from the ’60s show parked in the Society lobby.

Oh, and one of those ETC/TCR issues? The cover is an ad page of THE SHADOW by Bernie Wrightson that was done as his sample for the series in 1972 but never published other than on my zine. It’s worth a look.

The exhibit’s up until February 21st.

READING

READING 150 150 Paul Levitz

Unsurprisingly, one of the great pleasures of my life. When I went back to my elementary school four decades later, one of the two places I could find unaided was the library. And I can still close my eyes and remember where specific shelves were in My Friend’s Bookstore, Brooklyn’s first used bookstore to carry a deep selection of back issue comics and the source of much of my collection.

Currently finishing two books: Mercedes Lackey’s latest Valdemar novel, CLOSE TO THE HEART, and Nicholas Carr’s THE SHALLOWS. Valdemar seems to me to be a very cleanly constructed medievalist fantasy, with lots of familiar tropes but an interesting progressive ‘reveal’ of the nature of the Companions. This isn’t one of the strongest in the series, without a lot of emotional progress or new dimensions to the fantasy elements. Start earlier on, if you’re inclined to taste.

THE SHALLOWS explores the changes in our brains caused by our use of the new technologies, and it’s very much the brain rather than the ‘mind’ that’s the focus. Carr identifies a number of studies showing how quickly we get ‘rewired’ neuron by neuron in connecting online or to video games, and the shifts in our reading patterns and attention span. There’s also a short, thoughtful chapter on the Flynn Effect, which is the rise in IQs, arguing that humanity isn’t really getting smarter, just more adapted to using certain types of abstract thinking. Thinking about adding it as another text in my “Transmedia & The Future of Publishing” course, and at the very least will be drawing from it for my discussions.

Of course, few books deliver the pleasure I used to get from a good Hugh Lofting Doctor Dolittle tale. Sigh…

Nice moments at NYCC

Nice moments at NYCC 150 150 Paul Levitz

I always enjoy seeing old friends at cons, but Saturday evening had a nice twofer: the reception for Michael Uslan’s new T.H.U.N.D.E.R. AGENTS project gave me a good smile for my old friend (and an even bigger one for his wife, Nancy, who got to tell me about her new project to bring optometry to Rwanda), and an inner grin for my 9 year old self, recalling when I sent a shiny quarter in the mail for an early issue of the series. An added plus at the event was catching up with Athena Finger, and getting to congratulate her on Bill’s new credit on BATMAN comics and media. The first time I had lunch with Athena some years ago I was able to give her one of Bill’s original scripts which I had salvaged to study, the first artifact of her grandfather’s life she touched. She felt good about that, but I’m sure even better about seeing his name honored. The view from the United Nations dining room across to Newtown Creek and the Pepsi sign was beautiful that night too. Holding it at the U.N. was fitting, yet a little worrisome–given the side effects the Agents often suffered (e.g., death, premature aging and the like) were we being summoned there to celebrate or to be selected as the next team? Hmmm…

Retro-reading

Retro-reading 150 150 Paul Levitz

People always ask writers where they get their ideas. It’s mostly an
indirect process, and often we don’t really know where we get our
ideas. But once in a while we do, or we can at least talk about works
that inspired us. For my current project, DOCTOR FATE, I went back to
re-read Roger Zelazny’s CREATURES OF LIGHT AND DARKNESS. Zelanzy was
a master of taking elements from mythology and twisting them into
science fiction settings, and CREATURES dove deeply into Egyptian
myth. He was an extraordinary wordsmith and a brilliant writer in
many ways I’ll never equal, but jealousy aside, it was a pleasure to
re-read his treatments of Thoth, Anubis and a host of the Egyptian
pantheon set in a far future.

WILL EISNER: CHAMPION OF THE GRAPHIC NOVEL

WILL EISNER: CHAMPION OF THE GRAPHIC NOVEL 400 374 Paul Levitz

Cover
A lavishly illustrated coffee table book traces (and contextualizes) Eisner’s career as groundbreaking cartoonist, businessman, educator, graphic novelist, and ultimately, evangelist and champion of the comics form as art and literature. Intro by Brad Meltzer, text by Paul Levitz.

Doctor Fate #4

Doctor Fate #4 900 1384 Paul Levitz

DoctorFate-04

 

Life is getting harder for the new Doctor Fate. Now, an ancient god wants to destroy him, a mystical flood threatens to drown him, and the riddle of the Sphinx eludes him. Also, homework.

Doctor Fate #3

Doctor Fate #3 1041 1600 Paul Levitz

DoctorFate-03

With art by Sonny Liew

It’s literally raining cats and dogs as the mystic forces of Anubis and Bastet use a tidal wave to settle an ancient score, and only the new, hopelessly inexperienced Doctor Fate can save a city from drowning.

 

 

Doctor Fate #2

Doctor Fate #2 600 922 Paul Levitz

CI_SGvcUYAA4Mxx

With art by Sonny Liew

The new Dr. Fate is already having trouble controlling the power of Nabu – and time is of the essence because he’s about to be tested by an ancient evil!

Doctor Fate #2 / cover B

Doctor Fate #2 / cover B 1987 3056 Paul Levitz

DoctorFate-02-B

 

With art by Sonny Liew

Welcome

Welcome 960 301 Paul Levitz

Welcome. Crawling slowly into the digital age. Looking for something that can replace the contact and conversation that I had with my fanzines (back in the dinosaur age of comics), or the almost 20 years of writing lettercols. I know this is a very different platform, but I’m hoping it can satisfy some of the old itch and I can enjoy some of the new freedoms.

If you’re here on day one, I assume you know who I am…if not, the propaganda can be found under “Backstory” (write comics long enough and you start thinking you’re a fictional character). If you’re one of the thousands of folks who enabled me to spend my life playing with my childhood toys and obsessions, thanks. If you’re not, welcome anyway—maybe you’ll find something interesting.

If you’re here waiting for the nasty revelations, you’ll be disappointed. I’ve been insanely lucky in my career, and this isn’t settle scores, and I have no taste for mean spirited gossip. You will get anecdotes that take you behind the scenes, but my memory is kinda cluttered with nonsense like Legionnaire home worlds, so it’s often fuzzy, or at least skewed to what I found interesting. And there’s plenty of things I can’t or won’t discuss.

But if you’re curious about nuggets of comics history, or observations about the field, popular culture, or my worldview, hang around. This is a new toy and I’m not certain how often I’ll play here, but I’ll try to keep it interesting.

The design team tells me that we are only in BETA mode, and there are glitches to be debugged, copy to be finalized, books to be added to the ones already posted and the like. But please jump in, join the conversation!

-Paul